Written by: Angela Newgren and Andy Fein Anne Sophie Mutter
is one of the premier violinists of our time. Born in Rheinbelden, Germany in 1963, Mutter started performing in her early teen years, when she was asked by conductor Herbert Von Karajan to play with the Berlin Philharmonic at age 13.
Starting off her stage career at such a young age did her well. From then to now she has taught, recorded albums, conducted, and performed worldwide.
She picked up some no-big-deal awards on the way, too;
Denmark's Sonning award in 2001, Herbert Von Karajan Music Prize in 2003, several Grammy awards, including Best Chamber Music Performance in 2000 (Beethoven Violin Sonatas) and Best Instrumental Soloist Performance (with an orchestra) 3 times (!) from 1994-2005...shall I go on?
Anne Sophie Mutter also owns (and plays on!) some pretty cool violins. She owns two
Stradivarius violins- the Emiliani Stradivarius of 1703, and Lord Dunn-Raven Stradivarius of 1710.
|The Lord Dunn-Raven Stradivarius 1710
|Emiliani Stradivarius 1703
Link to the Original
So far we have an extremely talented violinist who has won many prestigious awards, owns and plays on two Stradivarius violins-what more could there possibly be?!
First a game! Can you find something odd about this picture? (no cheating). I'll give you a hint: it's breaking a stereotype....
Answer: The fine tuners! Do you notice how her instrument has a fine tuner on the A string as well as on the E string? Awesome! Many violinists shy away from putting fine tuners on any string besides the E, but why? (Fine Tuners Blog)
Anne Sophie Mutter has also had some difficulties with shoulder rests. Looking at photos of her in concerts, recordings and performances, I noticed that sometimes she used a shoulder rest, sometimes a thin cloth, and sometimes nothing at all. I found out that she felt the need to change shoulder rests because of the uncomfortable positions she was dealing with. After experimenting with all sorts of ideas, she now prefers not to use any at all. Here is a quote from an interview given by Laurie Niles on Violinist.com
:Anne Sophie Mutter on shoulder rests: "There is no real rule one can apply, because it all depends on the neck length and the position of your shoulder. Most important is that you don't squeeze your shoulder up, that you don't pressure your chin down, because you'll get terrible muscle pains in your neck area. Basically the instrument has to just lie there and you put your head on the chinrest and that's it. There's no force involved. According to the particular needs of the body, everyone has to play as relaxed as you can."
So Anne Sophie Mutter found her most relaxed, comfortable way of playing: with no shoulder rest at all. Maybe her clothes give her enough padding on her shoulder?
Nope! (And here is another broken stereotype) Since Anne Sophie Mutter turned 17 years old, she has had John Galliano (a disgraced former designer for Christian Dior) personally design strapless gowns for her performances. This actually created quite a controversy in the beginning, since many critics and classical musicians thought it was somehow distracting or distasteful. Thank you, Ms. Mutter, for breaking the mold and allowing for more freedom of expression and movement! She says she feels great in the gowns, which helps her perform. They are almost all the same design and pattern, differing only in color. (When you find something that works, stick with it!) Here's to hoping Dior has another designer she can work with.
Do you think us lady violin players could have our own French clothes designer for musical purposes? Maybe if we played like Anne Sophie Mutter!