Adele’s Stunning Single Easy On Me Races To Number One On Charts

Within a few years, the industry realised just how handy a barometer of collective taste this was and created its own Record Retailer chart, which instantly became the UK’s official – and around which BBC Radio 1 and, later, Top of the Pops based its format. While ÷ was comfortably settled at the top of the albums chart, its individual tracks punctured the singles chart like acne scars on a peachy cheek. He was not at No 5, which was instead occupied by The Chainsmokers and Coldplay with “Something Just Like This”. In total, Sheeran had 16 songs inside the Official UK Chart’s top 40, a feat that had never been achieved before. Sung by Elaine Paige and Barbara Dickson on the concept album of Chess, the ballad duet was penned by musical theatre maestro Tim Rice alongside ABBA band members Benny Andersson and Bjorn Ulvaeus. Staying at number one for four weeks consecutively in 1985, the track became one of Rice’s greatest hits, and has since been covered by Whitney Houston, Mel C, Emma Bunton and also been a charity single.

IFPI charts for top global artists, albums and singles show a recording industry that continues to break new global superstars. Sheeran, the biggest pop star on the planet, had just released his third album, ÷ . By this point, more people were streaming music than buying it and Sheeran’s fans listened to the songs from ÷ over and over again, more so than they did any other songs during the next seven days. Although ‘Don’t Cry For Me Argentina’ sung by Julie Covington can be found on the 1976 concept album, it was Madonna’s performance in the 1996 film adaptation ofEvita that saw the musical garner further popularity.

It’s more problematic for Radio 1, whose Official Chart Show has become increasingly repetitive. The station remains honourably committed to new and diverse music but, says Talbot, “It’s much harder for radio to predict and influence hits.” For a stream to qualify as a sale, it has to play for at least 30 seconds.

Stereophonics finished ahead of rock band Marillion, whose twentieth album An Hour Before It’s Dark landed at number two – their highest entry on the album chart since 1987’s Clutching at Straws. The achievement makes them one of the most successful chart acts of all time, tying with Taylor Swift, Oasis, Kylie Minogue and R.E.M. – who also have eight chart toppers. The Beatles have the most, with 15, followed by Elvis Presley and Robbie Williams, both of whom have 13. That shuffle affects the rest of the top 10, with Sam Fender’s Seventeen Going Under, Mimi Webb’s House on Fire and Overseas by D-Block Europe and Central Cee all shifting up one place.

But the charts were forever changed – the same as always yet fundamentally altered. As we enter Harry’s House, it’s time to reveal the pop superstar’s https://www.wikipedia.org/ biggest singles in the UK. Composed by Andrew Lloyd Webber and with lyrics by Trevor Nunn, ‘Memory’ was always going to be a powerful, musical ballad.

Soul star Peabo Bryson teamed up with then-up-and-coming Eurovision winner Celine Dion for a duet on the title track from Beauty And The Beast to #9 in the UK. Bryson later sang “A Whole New World” with Regina Belle on the end credits of Aladdin, which reached #12 in 1994. Just as 12A has become the norm in movies, there are fewer kid-friendly singles in any given chart. That said, precedent wouldn’t lead us to expect songs from Disney films to do this well in the Official Singles Chart either. Three songs from Encanto have popped up in this week’s UK Official Singles Chart – with stats and waffle, here are some of Disney’s other chart hit crossovers.

In July 2014, after 62 years as a sales-based chart, the Official Singles Chart began counting streaming data. This one change has revolutionised the UK chart far more dramatically than America’s Billboard Hot 100, which previously combined sales and radio airplay. “Radio slows down the chart so you have a happy medium between the passive listener and the https://chambermusiciantoday.com/ overactive listener,” says Chris Molanphy, a New York-based historian of the Hot 100. “Your chart is now a hybrid chart for the first time ever and that’s got to be total whiplash.” Mercifully, the rules were quickly changed to stop such a monopoly from happening again, and today no artist can have more than three songs from one album in the charts.