Since then, many bands have changed to a more standard hard rock, heavy metal, or digital music sound. Later pop-punk bands, together with All Time Low, 5 Seconds Of Summer, the All-American Rejects and Fall Out Boy, had a sound that has been described as closer to Nineteen Eighties hardcore, while still attaining commercial success.

The origins of Nineteen Nineties pop punk can be seen within the more song-oriented bands of the Nineteen Seventies punk motion like Buzzcocks and the Clash, commercially successful new wave acts such as the Jam and the Undertones, and the extra hardcore-influenced elements of different rock in the Eighties. Pop-punk tends to use energy-pop melodies and chord changes with speedy punk tempos and loud guitars.

In 2001, nu steel reached its peak with albums like Staind’s Break the Cycle, P.O.D’s Satellite, Slipknot’s Iowa and Linkin Park’s Hybrid Theory. New bands additionally emerged like Disturbed, Godsmack and Papa Roach, whose major label d├ębut Infest grew to become a platinum hit. Korn’s lengthy-awaited fifth album Untouchables, and Papa Roach’s second album Lovehatetragedy, didn’t promote as well as their previous releases, while nu metal bands have been played more occasionally on rock radio stations and MTV started focusing on pop punk and emo.

  • The origins of glam rock are associated with Marc Bolan, who had renamed his folk duo to T.
  • Often cited because the second of inception is his appearance on the UK TV programme Top of the Pops in December 1970 sporting glitter, to perform what could be his first no 1 single “Ride a White Swan”.
  • Rex and taken up electric instruments by the top of the Nineteen Sixties.


In the UK the term glitter rock was most frequently used to refer to the intense model of glam pursued by Gary Glitter and his support musicians the Glitter Band, who between them achieved eighteen top ten singles within the UK between 1972 and 1976. A second wave of glam rock acts, together with Suzi Quatro, Roy Wood’s Wizzard and Sparks, dominated the British single charts from about 1974 to 1976. Existing acts, some not usually considered central to the genre, additionally adopted glam styles, including Rod Stewart, Elton John, Queen and, for a time, even the Rolling Stones. It was additionally a direct affect on acts that rose to prominence later, including Kiss and Adam Ant, and less directly on the formation of gothic rock and glam metallic in addition to on punk rock, which helped finish the fashion for glam from about 1976. Glam has since enjoyed sporadic modest revivals by way of bands corresponding to Chainsaw Kittens, the Darkness and in R n’ B crossover act Prince.

The origins of glam rock are related to Marc Bolan, who had renamed his people duo to T. Rex and brought up electrical devices by the end of the Sixties. Often cited because the moment of inception is his look on the UK TV programme Top of the Pops in December 1970 carrying glitter, to carry out what would be his first number 1 single “Ride a White Swan”. From 1971, already a minor star, David Bowie developed his Ziggy Stardust persona, incorporating components of professional make up, mime and efficiency into his act. These performers were quickly followed in the fashion by acts together with Roxy Music, Sweet, Slade, Mott the Hoople, Mud and Alvin Stardust.