York Student Celebrates Chart Success With Debut Single

Featuring original music by Alan Menken and lyrics by Tim Rice, the song sees the pair fly a magic carpet as they tell of their feelings for one another. All of this brings us to Encanto, which broke into the Singles Chart somewhere between the annual sausage-roll cover ritual, a less festive traditional roast of Boris Johnson, and the usual turnover of catalogue festive tracks. Two trends were obvious when I compared the Top 40 during the first week of November 2016 with equivalent weeks in 1986, 1996 and 2006. I rang James Masterton from the Chart Watch UK website and he told me that in 1997, the Top 40’s most eventful year, there were 729 different entries.

Select from top downloads, albums, newest releases, iOS apps and Books. In the singles chart, the biggest splash is likely to come from Megan Thee Stallion and Dua Lipa, who’ve teamed up on the bass-rattling pop anthem Sweetest Pie. The latest update from the Official Charts Company earlier this week revealed that John and Dua Lipa‘s ‘Cold Heart’ is https://chambermusiciantoday.com/ on course to end Sheeran’s long reign at the top of the UK singles chart. On the whole, Disney hasn’t enjoyed the same success with redoing songs from its 1990s animated films as it has at the worldwide box office. End-credits covers of “Beauty And The Beast”, “A Whole New World”, and “Can You Feel The Love Tonight” all placed low in the Top 100.

It’s just that there is no longer a Top of the Pops for people to grumble about each week – but that’s another story. Martin Talbot, chief executive of The Official Charts Company, said it was “absolutely vital” for the charts to evolve and “reflect the changing market places and consumer behaviour”. The Official Charts Company introduced a metric so that a song needs 600 plays on an ad-funded streaming service, or 100 via a subscription to equal one paid-for sale. “But that changed from the moment it began to stir in different means of consumption, streaming a song is a different process to purchasing one and the two sit in an uneasy hybrid.

On the OST front, Moana’s “How Far I’ll Go” and “You’re Welcome” both landed outside the Top 40 in 2016, and Frozen II’s would-be banger “Into The Unknown” rose through the chart to #19 in 2019 but fell off swiftly thereafter. The very next month, another big change was introduced – audio streaming was also counted when compiling the official chart from June. One listen was not equal to one purchase in the OCC’s calculations, which could be why this new rule hasn’t always translated into Disney songs moving https://www.wikipedia.org/ up the charts. What’s more, Pop Idol runner-up Gareth Gates already had two #1s under his belt, and this one – another double A-side, this time with Will Young’s cover of “The Long And Winding Road” – hit a lot of demographics beside Lilo & Stitch’s target audience. Nevertheless, this is still the peak UK chart performance by a single from a Disney song to date. The studio’s animated Renaissance era did start to change that though, with pop covers of songs featuring over the end credits of the film.

By clicking ‘Register’ you confirm that your data has been entered correctly and you have read and agree to ourTerms of use,Cookie policyandPrivacy notice. By clicking ‘Create my account’ you confirm that your data has been entered correctly and you have read and agree to ourTerms of use,Cookie policyandPrivacy notice. Listen to more than 2600 free internet radio stations from the UK streaming live online right now. Aitch has also set his sights on the top 40 with the hooky Ashanti collaboration Baby; while Ms Banks could score her first UK chart hit thanks to a seductive duet with Tion Wayne, called Typa Way. Plenty of other up-and-coming hits benefit from We Don’t Talk About Bruno’s defenestration, too.

Released on 4th February 1997 as a single, the track quickly landed itself in charts across the world, with a further ‘Miami Mix’ combining English, Spanish and Argentinian sounds. Having sold over 15 million copies worldwide, ‘You’re The One That I Want’ is one of the biggest selling hits of all time! One of the biggest musical numbers in Grease, Olivia Newton-John and Danny Travolta’s performance has gained iconic status, with the track specifically written for Newton-John’s role transformative moment as Sandy Dumbrowski. Although the song has been covered numerous times and featured in reality competitions searching for West End and Broadway stars to play the lead roles inGrease,the original version remains superior. The rise of online music purchases changed things in the mid-2000s, enabling music fans to buy individual tracks without them having to be released as singles. From June 2006, legal download sales figures were also counted in the Official Singles Chart.